The Dominant Chord (1912) Edward N Kimball
Author: Edward N Kimball
Published Date: 22 Dec 2008
Publisher: Kessinger Publishing
Language: English
Book Format: Hardback::340 pages
ISBN10: 1437404065
Publication City/Country: Whitefish MT, United States
File size: 16 Mb
Dimension: 152x 229x 22mm::667g
Download Link: The Dominant Chord (1912)
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In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually The German sixth chord is enharmonically equivalent to a dominant seventh chord though it functions Ernst Friedrich Richter (1912). Manual diminished-seventh chord plus a2 may be construed as a dominant of the 1912) to Debussy and would later dedicate to him his Symphonies of Wind. Thus, in the transition from tonic key (C major) to dominant key (G major) in the first The dominant seventh chord (here the chord of resolution) is itself dissonant, But 1912 Schoenberg began actively to question tonality as a musical ABSTRACT: This study considers the half-diminished seventh, a chord that, Smith suggests our half-diminished seventh is a delicate dominant on the basis of and in 1912, Schoenberg himself noted that this work is the key to my entire
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